Can Can Infernal Galop?

Infernal Galop (Can-Can) is the second song in the series to be performed by The ?Just Dance? Orchestra. Infernal Galop (Can-Can) is the fifth piece of classical music to be used in the series.

Furthermore, can Can Infernal Galop piano?

Listen to our “Can-Can” (also known as the “Galop Infernal”) piano cover and learn how to play it yourself with our piano lessons. The most famous version of the Can-can was composed by Jacques Offenbach (1819-1880): The "Galop Infernal" is the grand finale of his operetta "Orpheus in the Underworld".

Similarly, where is the can can song from? Officially, it's the "Infernal Galop " from Act II, Scene 2 of Jacques Offenbach's 1858 operetta Orpheus in the Underworld. To the rest of the world, it's simply "the cancan song." And it's usually (although not always) a cue for high-kicking Chorus Girls to hit the stage.

Secondly, can Can Orpheus in the Underworld?

The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld.

Numbers.

1858 version	1874 version
Act 1: Scene 1	Act 1
Ouverture	Ouverture

Can Can Dance Offenbach?

The most famous music is French composer Jacques Offenbach's Galop Infernal in his operetta Orphée aux Enfers (Orpheus in the Underworld) (1858). However, the galop is actually another sort of dance. French painter Henri de Toulouse-Lautrec produced several paintings and a large number of posters of can-can dancers.

18 Related Question Answers Found

Can can dancers?

Cancan, lively and risqué dance of French or Algerian origin, usually performed onstage by four women. Known for its high kicks in unison that exposed both the petticoat and the leg, the cancan was popular in Parisian dance halls in the 1830s and appeared in variety shows and revues in the 1840s.

How do you pronounce Eurydice?

Here are 4 tips that should help you perfect your pronunciation of 'eurydice':

Break 'eurydice' down into sounds: [YUH] + [RID] + [I] + [SEE] - say it out loud and exaggerate the sounds until you can consistently produce them.
Record yourself saying 'eurydice' in full sentences, then watch yourself and listen.

Who wrote Orpheus?

Hugh Lupton

What is the cancan song?

Officially, it's the "Infernal Galop " from Act II, Scene 2 of Jacques Offenbach's 1858 operetta Orpheus in the Underworld. To the rest of the world, it's simply "the cancan song." And it's usually (although not always) a cue for high-kicking Chorus Girls to hit the stage.

What is the story of Orpheus?

Orpheus, singer, musician and poet, carrying a lyre on his shoulder, had recently married Eurydice, but on the day of their wedding, 'in the very bloom of her life', she was bitten by a viper and died of its venom. Distraught with grief, Orpheus descended into the underworld determined to restore her to mortality.

When did the can can start?

Cancan. Cancan, lively and risqué dance of French or Algerian origin, usually performed onstage by four women. Known for its high kicks in unison that exposed both the petticoat and the leg, the cancan was popular in Parisian dance halls in the 1830s and appeared in variety shows and revues in the 1840s.

Did Orpheus return from the underworld?

Orpheus' soul returned to the underworld, to the fields of the Blessed, where he was reunited at last with his beloved Eurydice.

How did Orpheus meet Eurydice?

Orpheus joined the expedition of the Argonauts, saving them from the music of the Sirens by playing his own, more powerful music. On his return, he married Eurydice, who was soon killed by a snakebite. Overcome with grief, Orpheus ventured himself to the land of the dead to attempt to bring Eurydice back to life.

Do a can can?

The can-can, or cancan as in the original French (k?~k?~), is a high-energy, physically demanding dance that became a popular music-hall dance in the 1840s, continuing in popularity in French cabaret to this day. Originally danced by both sexes, it is now traditionally associated with a chorus line of female dancers.